There are many different types of kick drum samples available for music producers today. Beat making is such an involved activity that having to use the same samples over and over can really kill your creativity. This is especially true with kick drum sounds as these are an elemental ingredient to just about every rhythm and blues, hip hop, rap, pop and rock song on the charts and underground today.

There are a few different sound stages (or phases) in every sample, including the ever-present kick drum. The first, and at the starting line, is called the attack. This first phase really determines the ‘shine’ factor of the kick, and whether it can be heard with a whole bunch of other sounds competing for attention. A slow attack (which means a weak starting point) will need to be compensated for by the other phases of the drum sample.

The second phase that we should talk about is the sustain, which is the long part of the kick that the attack introduces. This bulk of the sample can be long and booming or short and pointy, but it does matter as this is the memorable part of the sample. Having a very weak attacking phase can be disastrous if it’s coupled with a very weak sustain phase, too. Either have the best of both worlds or one good phase to get you started and get it heard.

Adjusting the volume envelope of a kick drum sample is very easy with the right tools. Most samplers will include an envelope modifier for the volume or can be modified to do this very easily. If your drum sampler or sequencer does not permit this, look for some free tools that will help you; there are literally thousands of free virtual sound generators and effects plug-ins available on the internet for free personal use.

If you do not wish to use any device or plug-in inside your host or hardware unit, you can certainly adjust the volume in any one of the editors (both free and paid-for versions) that are available. Most already have the functionality or offer different plug-ins to help you crop and adjust volume and fading. The free programs like Audacity are great and even match the professional edition programs in many departments.

Different programs and libraries contain different drum samples for your personal and professional use. If you’re serious about audio and music production, then getting a varied selection is your best bet. Combine the samples contained in programs like FL Studio with others you can get off the internet and in different programs, and you will soon have your own choice of go-to samples that you have developed yourself.

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